November 6, 2013
The Young Lady says “NO”!, Rev. Wm. P. O’Keeffe C.M., Catholic Truth Society of Ireland (1946). Cover design: John Henry. Courtesy of Veritas/Vintage Values.
What to do on a Date?, Rev. Daniel A. Lord S.J., Catholic Truth Society of Ireland (1958). Cover design: Martin Collins. Courtesy of Veritas/Vintage Values.
Fashionable Sin, Rev. Daniel A. Lord S.J., Catholic Truth Society of Ireland (1957). Cover design: Martin Collins. Courtesy of Veritas/Vintage Values.
Divorce is a Disease, Rev. Martin J. Scott S.J., Catholic Truth Society of Ireland (1944). Cover design: John Henry. Courtesy of Veritas/Vintage Values.
Suggestions om saying the Rosary Without Distractions, Sister M. Emmanuel O.S.B., Catholic Truth Society of Ireland (1944). Cover design: John Henry. Courtesy of Veritas/Vintage Values.
A Guide to Fortune Telling, Rev. Daniel A. Lord S.J., Catholic Truth Society of Ireland (1943). Cover design: Sean Best. Courtesy of Veritas/Vintage Values.
Earlier this year I wrote about the cover art of Catholic Truth Society of Ireland pamphlets. At the time I had very little in the way of facts to go on and the piece was essentially guess work. Shortly after writing the post I was contacted by Lir Mac Cárthaigh, Art Director at Veritas, who informed me that they hold a full archive of the pamphlet covers and have details of the cover artists behind each of the designs! He told me that my conjecture about the artwork was correct and that they were in fact all designed by Irish designers. Also, the pamphlets were reprinted many times over the years so the reprint dates were often many years later than the original artwork was completed. Lir understood the importance of the archive and had been working for some time to bring it back to public view. He invited me to meet with him and view the collection, which I was delighted to do.
The archive consists of a couple of large filing cabinets which are jam-packed with dusty envelopes, each containing an original CTS pamphlet and a card detailing the cover artist, fee paid, print-run and subsequent reprints. The collection is so vast that it was only possible to view a small random sampling of the covers. The earlier covers, from before the 1920s, have generic typographic covers but designs from the twenties on incorporate illustration and as you move through the years the artwork gets more and more bright and vibrant.
While the archive contains work by artists who are reasonably well known, including George Monks, Karl Uhlemann, Alfred Monahan and numerous examples by George Altendorf, I was most excited by the work of a number of complete unknowns – John Henry, Martin Collins and Sean Best. These three artists worked in a style heavily influenced by advertising spot illustration and showcard art. Their work displays a confidence and skill which really makes it sparkle. For a long time this sort of design was dismissed as low-brow or purely vernacular but in more recent times there has been a growing appreciation of the craft involved in making this work.
Unfortunately, we have scant details of these three artists. John Henry was a student at the Dublin Metropolitan School of Art in the early 1920s and would have studied along side George Altendorf under Austin Molloy. Seán Best designed the cover of the official Eucharistic Congress programme (1932). A Martin Collins held a solo exhibition of paintings in Lad Lane Gallery in 1978 and was also working as a ‘visualiser’ with the Peter Owens advertising agency in the early 1980s but it’s impossible to say if either or both are the same artist who created these pamphlet covers.
Since our meeting, Lir Mac Cárthaigh has been busy sifting through the archive and assembling a book and exhibition which showcase some of the most interesting examples from the collection. The exhibition, entitled Vintage Values, runs at the National Print Museum from the 4th until the 24th November and the Vintage Values book, which I had the pleasure of writing the introduction for, will be launched on the 19th of November at the Print Museum. A number of poster prints and postcards of the designs are available from the Vintage Values website.