June 20, 2011
The Book of Famous Irish Spy Stories, Daniel O’Keeffe, Irish Pocket Books (1956). Design: M.G. (Michael Gallivan)
The Book of Famous Irish Ghost Stories, Edited by Daniel O’Keeffe, Irish Pocket Books (c. 1956). Design: Michael Gallivan. (Courtesy of Larry Hynes)
Memorable Irish Trials, Kenneth E.L. Deale, Irish Pocket Books (c. 1956). Design: Osborne. (Courtesy of Larry Hynes)
Valentine Vaughan Omnibus, R. Thurston Hopkins, Grafton (1947). Design: unknown
A Case Book of Ghosts, F.W. Gumley & M.P. Mahon, Northern Whig (1971). Design: unknown
Triúr don Chómgargadh, Eoghan Ó Grádaigh, Sáirséal 7 Dill Scéalta Mistéir Uimhir 5 (1968). Design: Úna Ní MhaoilEoin
Ruathar Anall, Eoghan Ó Grádaigh, Sáirséal 7 Dill Scéalta Mistéir Uimhir 3 (1962). Design: Seoirse Mac Aodhagáin
Genre fiction has never really taken hold with Irish publishers. The zealous censorship of publications during the first few decades of the State probably played a role but it is more likely that there just isn’t a big enough population to sustain indigenous mass market paperbacks. The above examples of crime, mystery and horror covers display a charming amateurishness.
The first three are from The Mercier Press’ Irish Pocket Books imprint which operated in the mid-fifties. Michael Gallivan illustrated the first two and the third is by a mysterious ‘Osborne’. I’m afraid I can find no information on either artist. Larry Hynes kindly provided two of the examples which he included in a beautiful poster design celebrating 21 years of Charlie Byrne’s book shop in Galway.
There are 24 years between the next two examples, 1947′s Valentine Vaughan Omnibus and A Case Book of Ghosts from 1971, although the latter cover could easily be from the same period. Unfortunately, I don’t own a copy of the Valentine Vaughan book. The October 2010 issue of Book and Magazine Collector, from which the image is taken, estimates it’s value at £150-£200 sterling! The book is set in London but was published in Dublin by Grafton.
The final two covers are from Sáirséal agus Dill’s Scéalta Mistéir (Mystery Stories) series from the sixties. Úna Ní MhaoilEoin presents a rather naive rendering of a smoking pistol on the fifth book in the run, Triúr don Chómgargadh. I previously posted another of her designs for the series, An Masc. Ní MhaoilEoin wrote and illustrated a number of travel books for Sáirséal agus Dill during the sixties including An Maith Leat Spaigiti? (Do You Like Spaghetti?) (1965) and Turas Go Tuinis (Trip to Tunisia) (1969). According to Manchán Magan the Sunday Dispatch described her books as the most amusingly outspoken books ever to have appeared in the Gaelic language.
November 23, 2010
B’Fhiú an Braon Fola (Front), Séamas Ó Maoileóin, Sáirséal 7 Dill (1958). Cover design: Anne Yeats
B’Fhiú an Braon Fola (Back), Séamas Ó Maoileóin, Sáirséal 7 Dill (1958). Cover design: Anne Yeats
An tSraith ar Lár, Máirtín Ó Cadhain, Sáirséal 7 Dill (1967). Cover design: Anne Yeats
An tSraith Dhá Tógáil, Máirtín Ó Cadhain, Sáirséal 7 Dill (1970). Cover design: Anne Yeats
An tSraith Tógtha, Máirtín Ó Cadhain, Sáirséal 7 Dill (1977). Cover design: Anne Yeats
Codladh an Ghaiscigh, Máire Mhac an tSaoi, Sáirséal 7 Dill (1973). Cover design: Anne Yeats
Anne Yeats (1919-2001) was the daughter of poet WB Yeats and a niece of painter Jack B Yeats. She studied at the Royal Hibernian Academy Schools before working at the Abbey Theatre as chief stage designer. From the early 1940s on she concentrated on painting but over the years she created many covers for Irish language publishers Sáirséal agus Dill.
Much less retrained by commercial considerations than other contemporary publishers, Sáirséal agus Dill’s cover designers were free to explore styles which didn’t have to fit with markets or genres. Most of their designers were primarily artists who dabbled in book design and illustration as an extra income stream. The work that they created has a timeless quality that is lacking from a lot of covers where commercial considerations are foremost.
These examples of Yeats’ designs cover a twenty year period from 1958. It would be hard to guess the year that any of them was designed just from looking at the cover. Particularly strong is the illustration on B’Fhiú an Braon Fola which wraps around to the back. The book is an account of Séamas Ó Maoileóin’s involvement in the Rising, War of Independence and the Civil War. The title translates as ‘The drop of blood was worth it’ but Yeats’ gory depiction is far less glorious.
Less obviously figurative but equally striking is the cover of Máirtín Ó Cadhain’s An tSraith ar Lár. The grey background is in fact a metallic silver ink which really sets off the rough pen and ink illustration.
Cor Klaasen Exhibition
Thank you to everyone who came along and supported the Cor Klaasen exhibition. The reaction was great and it was a pleasure to be able to present such a strong body of work to a wider audience. I would very much like to thank the Klaasen family for being so open and enthusiastic about sharing Cor’s work. You can view photos of the exhibition and opening here. I hope to add much more of his work to the website, www.corklaasen.com over the coming weeks.